Zoom R16 Multitrack Recording Interface with MXL Microphone Set and XLR Cables

Zoom R16 Multitrack Recorder Interface Controller

• Recorder

• Physical Tracks: 16

• Simultaneous Recording Tracks: 8

• Simultaneous Playback Tracks: 16

• Recording Data Format: 44.1kHz, 16/24-bit WAV

• Maximum Recordable Time: 200 min. / GB (referred to mono tracks)

• Projects: 1,000

• Markers: 100 / Project

• Locator: Min./Sec./ msec. or Meas./Beat/Tick

• File Editing: Divide

• Other functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, UNDO / REDO

• Audio interface

• Input Channels: 8

• Output Channels: 2

• Quantization: 24-bit

• Sampling Frequency: 44.1, 48, 88.2, 96kHz

• Mixer

• Faders: 9

• Level Meters: 4-Segment LED

• Track Parameters: 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert Stereo Links Track pairs: 1/2 to 15/16 selectable

• Effects

• Algorithms: 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING)

• Types: 135

• Modules: 7 for Insert, 2 for Send / Return

• Patches: 330 for Insert, 60 for Send / Return

• Tuner: Chromatic, Guitar, Bass, Open A/D/E/G, D modal

• Metronome

• Sounds: 5

• Beat: 1/4-8/4, 6/8, Unaccented

• Tempo: 40.0-250.0BPM

• Hardware

• Recorder

• Recording Media: SD Card (16MB-2GB), SDHC Card (4-32GB)

• A/D Conversion: 96kHz 24-bit delta-sigma ADC

• D/A Conversion: 96kHz 24-bit delta-sigma DAC

• Display: 20-digit 2-line custom LCD (with backlight)

• Inputs: 8 x XLR-1/4" Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable

• Built-in microphones: Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable

• Phantom Power Supply: 48V (with On/Off switch)

• Master Output: 1/4"TRS Phone (balanced)/Output Impedance: 1kΩ / Rated Output Level: +4dBm

• Headphones Output: 1/4" Stereo Phone Jack, 20mW x 2 (at 32&Omega: load) USB: [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability

• Power Requirements: AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x 6

• Battery Life: 4.5 hours (with backlight on and phantom power off) Dimensions (mm): 376(W) x 237.1(D) x 52.2(H)

• Weight: 1.3kg (without batteries)

MXL 550/551 Condenser Ensemble Microphone Kit Red

 Manufacturer's Description

Zoom R16 Multitrack Recorder Interface Controller

Capture audio in any setting, from live music performance, drums with multiple mics to music rehearsals and songwriting, even audio for film and video. The R16's simultaneous 8-track capability makes professionalism easy. Playback up to 16 tracks using its 16/24-bit linear WAV format and 44.1kHz sampling rate.

The R16 functions as an audio interface enabling direct input of sound to a computer. Support for high quality 24-bit/96kHz encoding ensures great sound. Eight input channels and two output channels can be used simultaneously. If you use the sampling rate of 44.1kHz, the internal DSP effects of the R16 are also usable on your computer tracks. A dedicated control lets you adjust the mixing balance between the DAW playback sound and the direct sound for monitoring.

Transport and mixing operations of the DAW software can be controlled using the R16. This gives you greater control and a better feel for mixing. In Mackie Control emulation mode, major DAW applications such as Cubase, Logic, and Sonar are supported.

The R16 is the first recorder that incorporates the ability to generate a synchronization signal based on USB data transfer timing*. By connecting two R16 units via USB, you can designate one to function as a USB host and the other as a USB slave, allowing synchronized transport operation. This lets you record on up to 16 tracks simultaneously to competently handle a live performance.

* Synchronization accuracy has a tolerance of about 1 to 2 milliseconds.

When you want to quickly record anything from songwriting ideas to ambient room audio, the R16's built-in set of stereo mics will come in handy. Vocals and acoustic instruments can be captured with excellent clarity.

Because the R16 utilizes compact and readily available SD and SDHC memory cards as its recording media, there is no motor that can cause noise as with tape or discs. And you never need to worry about problems caused by external vibrations that can crash hard drives.

Its eight combination mic/line input jacks can handle mics or line-level signals. Phantom power is provided on channels 5 and 6 for use with condenser mics, and the Hi-Z switch for channel 1 accommodates a guitar or bass. The R16 is ready for any kind of input source.

A dedicated master track lets you do the final mixdown right on the R16 without a separate master recorder. With sequence play, several projects can be mastered together and played automatically. And you can create playlists for finished songs in any order.

The R16 comes preprogrammed with 135 types of digital effects for recording, mixing, and mastering. The insert effect has seven modules with algorithms optimized for guitar, bass and vocals. In addition, two send/return effects are also available, so that you can use up to three effects simultaneously. The R16 also comes with models of 18 different guitar amps such as Fender, Marshall, Vox and Mesa Boogie, and 6 bass amps such as Ampeg, Bassman and Hartke. 

A compressor and equalizer effect that handles 8 channels simultaneously provides further flexibility.

The R16's built-in tuner is great for quickly tuning an instrument or checking the pitch of vocals. During recording, the metronome provides a click track for your drummer and is also handy for practice. The metronome sound can be sent to the headphones, letting you use a previously recorded backing track on stage during a performance.

Set up to 100 marker points and directly locate them whenever you want. Other convenient functions for editing include A-B repeat playback and auto punch-in/out, making it easy to re-track part of the recording.

The R16 can be powered from the supplied AC adapter or six AA/LR6 batteries. A set of batteries will last for about four and a half hours, and because they are standard batteries, changing them is always easy and convenient. The audio interface and control surface functions can also be operated on USB bus power, providing another power option.

Because the R16 has a USB 2.0 Hi-Speed compatible port, file transfer to a computer is quick and painless. Computer-based tasks such as editing with DAW software, burning your original CDs and importing WAV files are integrated smoothly into your workflow.

A USB flash drive or large-capacity external hard disk* can be plugged into the USB port of the R16. This lets you quickly distribute a recording to band members after a rehearsal session or make a backup of your recordings even when you're not near a computer. 

Features

Multitrack Recorder

• Over 100 studio-quality effects including guitar amp models and mastering effects

• Records on up to 32GB SDHC cards for maximum recording time

• 8 balanced XLR-1/4-inch combination inputs

• Records in WAV 48kHz/44.1kHz at 16-bit or 24-bit

• Easily viewable 4-segment LED meter bridge

• 2-channel simultaneous 48V phantom power supply capability

• Over 4 hours of operation using 6 AA alkaline batteries (AC adapter included)

• Sync two R16s via USB for 16 tracks of simultaneous recording

Audio Interface

• High-definition 24-bit/96kHz recording capability using digital audio software

• 8 in / 2 out (8 x 2) via USB

Control Surface

• Full mixing and transport controls for Cubase, Logic, Sonar and more!

• USB Control Surface uses Mackie Control emulation

MXL 550/551 Condenser Ensemble Microphone Kit Red

The 550/551 from MXL is a professional-quality microphone kit ideal for recording vocals and instruments. The 550 large-diaphragm mic is a robust vocal mic, while the 551 small-diaphragm mic is terrific for a variety of instruments.

Each mic has a pressure gradient condenser capsule with a cardioid pickup pattern for terrific off-axis noise rejection. The mics have internal Mogami wiring for a world-class sonic experience. High SPL capability allows the mics to record loud sources without distortion. Each mic has a standard XLR connector and works via 48V phantom power.

• Dual microphone kit provides terrific performance for capturing vocals and instruments

• The 550 large-diaphragm microphone provides a high level of clarity, and is perfect for vocals

• The 551 small-diaphragm mic is ideal for a variety of acoustic and electric instruments

• Each mic has a pressure gradient condenser capsule with a cardioid pickup pattern for excellent off-axis rejection

• Internal Mogami wiring provides a world class sonic experience

• Standard XLR connectors accept 48V phantom power

• Mic stand adapters, cleaning cloth, and plastic carrying case included

Pig Hog PHM10 8mm Microphone XLR Cable 10ft

Pig Hog cables are precisely overbuilt to stand up to the most grueling tour conditions imaginable. They feature extra-thick 8mm wire, performance quality connectors, and tension-resistant stress relief. And with Pig Hog's "no question" lifetime guarantee, we've got your back for the life of the cable. Don't settle for those fat-free cables. Grab hold of a Pig Hog!

Features

• High performance microphone cable

• 8mm high quality rubber outer covering

• Heat shrink protected connectors

• Lifetime guarantee