Focusrite Saffire Pro 14 Firewire Recording Audio Interface

Microphone Inputs 1-2

• Frequency Response: 20Hz - 20kHz +/- 0.2 dB

• Gain Range: +13dB to +60dB

• Maximum Headroom +8dBu

• THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)

• Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

• Input Impedance: 2k Ohm

Line Inputs (Inputs 1-2)

• Frequency Response: 20Hz - 20kHz +/- 0.2dB

• Gain Range: -10dB to +36dB

• THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

• Noise: -90dBu (22Hz/22kHz bandpass filter)

• Input Impedance: >10k Ohm

Line Inputs 3-4

• Frequency Response: 20Hz - 20kHz +/- 0.2 dB

• Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter)

• Noise: -100dBu (22Hz/22kHz bandpass filter)

• Input Impedance: >10k Ohm

Instrument Inputs (Inputs 1 and 2)

• Frequency Response: 20Hz - 20kHz +/- 0.1dB

• Gain Range: +13dB to +60dB

• THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter)

• Noise: -87dBu (20Hz/22kHz bandpass filter)

Analogue Audio Outputs (Outputs 1-4)

• 4 Electronically Balanced Outputs

• Maximum Output Level (0dBFS): +10dBu

• THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter)

Crosstalk (Channel Isolation)

• Any input to input: > 100dB

• Any output to output: > 100dB

• Any input to output: > 100dB

DIGITAL PERFORMANCE

• A/D Dynamic Range > 109dB (A-weighted), all analogue inputs

• D/A Dynamic Range > 106dB (A-weighted), all analogue outputs

• Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA)

• JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance

• Clock jitter < 250 picoseconds

• Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz

• 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2)

• 6 physical output channels from computer: Analogue (4), SPDIF (2)

• 12 DAW output streams

• Assignable 18 input by 6 output mixer

Weight and Dimensions

• 1.5kg / 3.3lbs

• 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches)

Connectivity

Analogue Channel Inputs (Inputs 1-2)

• 2 Mic XLR Combo (channels 1-2) on front panel

• 2 Line 1⁄4” TRS (channels 3-4) on rear panel

• Automatic switching between Mic / Line (channels 1-2)

• Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application

• Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application

Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz

• Stereo S/PDIF input on RCA

Analogue Audio Outputs (Outputs 1-4)

• 4 1⁄4” TRS Jacks

• Output Level control (analogue) for outputs 1 and 2

• Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control

Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz

• Stereo S/PDIF Output on RCA

Other I/O

• 1x 6 pin Firewire 400 socket - also compatible with Firewire 800 and Thunderbolt

• 2 Standard 5-pin DIN MIDI connectors: In and Out

• DC Power Input Connector (for use with supplied universal input power supply)

Front Panel Indicators

• 2 2 segment input meters, Sig (-18) and O/L (0dBFS)

• “LKD” Locked Indicator

• “FW” Host Connected Indicator

• “Power” Indicator

• Instrument input source selection LED for channels 1 and 2

• Phantom Power (48V) switch and LED for inputs 1 and 2

Manufacturer's Description

The Saffire PRO 14 is an eight-in, six-out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. The latest in Focusrite’s new generation of Firewire/Thunderbolt audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality.

Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio.

Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual 'loopback' inputs are also available for routing digital audio between software applications — ideal for capturing online audio.

Included with the PRO 14 is Saffire MixControl, an 18 x 6 DSP mixer. Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Route any combination of input signals and sequencer outputs to any of Saffire PRO 14’s outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible.

With Saffire PRO 14, sonic integrity is never compromised. The two Focusrite preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine quality as your audio flows between the analogue and digital domains. Combined with the very latest in Firewire/Thunderbolt interfacing technology, excellent routing flexibility and rock-solid driver stability, the Saffire PRO 14 is the heart of the modern home studio.

Two high-quality award-winning Focusrite preamps

The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this new interface, with two award-winning preamps.

High-quality 24-bit/96kHz FireWire/Thunderbolt™* interface

Features professional conversion and JetPLL™ jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization.

Total I/O count of 8 inputs and 6 outputs

A host of I/O options are provided, including a unique Loopback facility for routing audio between software applications via Saffire MixControl.

Saffire MixControl ultra-low-latency DSP mixer/router

Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). 

Focusrite VST/AU Plug-in Suite, for use in the mix

Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.

Xcite+ Software Bundle

Featuring a host of royalty-free loops and samples, a full-fledged soft-synth and Ableton Live Lite 8, providing an affordable upgrade path to Ableton Live.

Two Hi-Z instrument inputs

No need for a separate DI. The first two channels feature high-gain instrument inputs.

Bus-powered for a tidy mobile recording rig

Saffire PRO 14 can be powered via FireWire, or via its own power supply.

Dedicated front-panel headphone bus

Providing a fully customised monitor mix, with tactile level control available on the front panel.

Tactile Monitor dial

A front panel volume dial provides immediate control over the main stereo outputs.

Switchable phantom power

Across both mic pre inputs, globally switchable direct from the front fascia.

Software PFL

Allows the mix engineer to easily monitor a single mixer channel or complete mix.

Softube Time and Tone Bundle

In addition to the Red 2 and Red 3 Plug-in Suite, this interface includes the Softube Time and Tone Pack. This is a unique plug-in bundle, comprised of Softube's world class TSAR-1R reverb, Tube Delay, and Saturation Knob.

TSAR-1R: Add space, depth and width to your sound—TSAR-1R is a reverb plug-in with world class sound

and extreme ease of use. With a single slider, you can take TSAR-1R from realistic and three-dimensional

rooms to dramatic and dreamlike halls.  

Tube Delay: A tasty echo effect that can go from clean to rude by overdriving its three modeled tube stages.

Create anything from realistic room echoes to rockabilly style slapbacks—or take it all the way into dub

reggae echo madness. 

Saturation Knob: Add grit and warmth to any sound source with this modeled output distortion unit. Use

it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

Simply turn up the knob to add saturation, and use the three-position switch to alter the distortion character.