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SKU ARTU-MICRO-BRUTE-SE

Arturia Microbrute SE 25-Key Analog Synthesizer

This product has been discontinued.

We have discontinued this product permanently. Please find alternative products from below section.
  • Instrument size : 325x221x60mm

  • Instrument weight : 1.750 Kg

Manufacturer's Description

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute SE is a landmark new synth at an incredible price. 

This special edition is produced in limited quantity, 1500 units for each color, so make sure you don’t miss out!!

The MicroBrute SE is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute SE was designed to be small but still retain an amazing sound quality. With a 100% pure analog voice path and advanced interconnectability via MIDI, USB, CV/ GATE, this machine is a true powerhouse synthesizer that takes your sound to a new level.

If you’re new to synths, you’re looking at one of the easiest to use and most unique sounding synthesizers we think money can buy. And if you’re a synth veteran, we think it won’t have escaped your attention that MicroBrute SE is also a seriously capable semi-modular sequence-able beast. Wait till you hear how it sounds.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute SE give you the means to create, perform and be completely original every time you power up, it does it with astounding sound quality. 

A synthesizer is a musical instrument that is meant to be played. However, playing a synthesizer is more than just playing some notes on a keyboard and recalling someone else’s presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper)…but you aren’t because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute SE give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality. 

Features

  • Monophonic synthesizer

  • 100% Analog Audio Signal Path

  • Steiner-Parker 2 pole Multimode Filter (Low Pass, Band Pass, High Pass)

  • Analog Voltage Controlled Oscillator

  • Oscillator Mixer (Overtone, Sawtooth, Square, Triangle, audio in (on rear panel))

  • ‘Overtone’ sub oscillator/5th generator

  • Signal Enhancers :

    • Pulse Width Modulation

    • Ultrasaw generating fat sawtooth waveforms

    • Metalizer bringing extreme harmonics

    • Brute Factor™ delivering saturation and rich harmonics

  • LFO with 3 waveforms (Sine, Sawtooth, Square)

  • LFO clock syncable to Arpeggiator (Arpeg, or free).

  • ADSR Envelope Generator

  • Keyboard Tracking on the VCF Cutoff

  • 25 note minikey keyboard

  • Mod Wheel (assignable to Cutoff, or LFO amount)

  • Pitch Wheel (with selectable bend range via software)

  • Octave selector from -2 to +2 octaves

  • External Analog Audio Input

  • CV In jacks: Pitch, Filter, sub-harmonics, pulse width, metalizer, saw animator

  • CV Out jacks: pitch, envelope, LFO

  • MIDI Inwith 5 pin DIN connector

  • USB MIDI In/Out

  • 1/4” Audio Output and 1/8” Headphone Output

  • Full Function step sequencer :MIDI Sync

    • 8 memories

    • up to 64 steps per memory

    • tap tempo

    • rate control

    • step divisions (via software)

    • trigger modes (via software)

  • Steel bottom panel

  • 12V DC 1A power supply

What's in the Box?

  • MicroBrute synthesizer.

  • User manual.

  • Preset sheets.

  • Power supply.

  • 2 mini jack patch cords.

The Largest Oscillator Sound Around

VCO

The VCO on the MicroBrute SE is unique in the synthesizer world. It features the ability to mix waveforms in variable amounts as opposed to simple ON/OFF switches that are found on many synths at four times the price. The sound possibilities don’t stop there. Each waveform has wave modifiers that allow even further tonal variations. While many synths need two or three oscillators to get a somewhat big sound, the MicroBrute SE is able to achieve a much wider tonal range with its one oscillator.

Overtone

For the MicroBrute SE we redesigned our sub-oscillator from the ground up. The new OVERTONE sub allows for the typical -1 octave square wave that thickens up the bottom end but goes beyond this with the Overtone control. The Overtone control allows you to bring in more complex harmonics that when turned all the way up result in the oscillator changing pitch to a 5th above the root. This allows for some classic sounding leads and fatter basses. This control can even be modulated with the ENVELOPE or LFO via the mod matrix which creates some amazing new sounds never heard from a synth oscillator before.

Ultrasaw

The Ultrasaw builds two phase-shifted copies of the basic sawtooth signal. This effect, when turned up, gives you a slight thickening of the sound as it udplicates the sound of two saw oscillators close to the same pitch. You can then use the MOD MATRIX to route the LFO to the SAW which will add a third saw sound and allow to simulate a wider detuning effect. This one saw wave can now sound like a three oscillator synth by itself.

Metalizer

The Metalizer takes the basic triangular waveform and “warps/folds” it to create very complex jagged waveforms that are rich in high harmonics. This results in a hard sync sweep type of sound that is perfect for hardcore bass sounds or tearing leads. The ENVELOPE has a default routing to this parameter via the MOD MATRIX. Just turn up the ENVELOPE amount control, adjust your envelope to an interesting setting and you will hear the effect take hold.

Modulation Beast

The MicroBrute SE comes with a full featured LFO and a standard ADSR type Envelope. The routing of these modulation sources are configured in the MOD MATRIX. No other synth in this price range allows for this kind of flexibility.

The MOD MATRIX allows you to control many aspects of the voice for different internal sources as well as opening the door to controlling them by external synths and modules. The MOD MATRIX has two default routings :

  • ENV > METALIZER
  • LFO > PITCH 

Stack'em up!

The MicroBrute SE expands the sonic possibilities of the original MicroBrute SE thanks to the addition of stackable jack cables. Use them to send a single modulation source such as the LFO to multiple destinations, connect both the envelope and LFO to the same destination or get crazy results by using them with external gear.

This allows you the typical LFO/MODWHEEL vibrato control as well as having the envelope add modulation to the Metalizer.

NOTE that the ENV is always routed to the filter and there is a separate ENV AMOUNT control in the filter itself.This default routing can be overridden by simply inserting one of the patch cords into either the mod output or input jacks. You can then patch in your own routings.

The mod wheel allows for manual control of either the filter cutoff or the LFO amount. This allows you to play the modulation in real-time adding character and interest to your musical passage.

A standard ADSR (Attack, Decay, Sustain, Release) envelope can be used for controlling the filter cutoff and the amplitude directly. You can then patch the output via the mod matrix and use the AMOUNT control to effect the pitch, Metalizer, pulse width or any other control destination in the MOD MATRIX. 

Steiner-Parker Filter 

So what does MicroBrute SE sound like? 

MicroBrute SE embeds the legendary Steiner-Parker multimode filter. 

Introduced for the first time in the Synthacon synthesizer, back in the 70’s, this marvellous filter not only gives you a Lowpass mode like most other synths, but also Bandpass, and High-pass, making it a highly versatile and praised boutique filter. 

The MicroBrute SE filter is based on the core of the legendary Steiner-Parker multimode filter and has been improved to deliver an even wider range of cutoff and resonance. Nyle Steiner himself has validated and approved these improvements. 

Many synths at well over twice the price of MicroBrute SE come with only a single low pass filter and many modular synth companies sell their version of this classic filter for more than the total price of the MicroBrute SE. 

Brute Factor™ 

The Brute Factor™ was inspired by a patch made on a famous vintage synthesizer. User would connect the headphone output to the external audio input resulting in a kind of feedback loop that is ideal for raspy and grungy sounds. This patch has been adapted and implemented internally first in the MiniBrute and now in the MicroBrute SE.

 With low Brute Factor™ settings, you will hear a gradual depth and roundness to the bottom end. When turned up above about 65% however, the MicroBrute SE can go berserk and produce barely controllable, crazy feedback sounds. 

Note: the Brute Factor™ feature alters the filter characteristics, so expect highly unpredictable results at extreme settings. You have been warned!

Microbrute as an Audio Processor ?

MicroBrute SE is more than a synthesizer. It allows a return to audio experimentation by giving you the ability to process external sounds though it. The MicroBrute SE has an audio input with a pop-up trim pot for level controls on the rear panel. This will allow you to process any other sounds like voice, guitar or other synths through the MicroBrute SE’s filter, Brute Factor™, and final output stages.

Step Sequencer

We have added a new step sequencer for the MicroBrute SE. The step sequencer harkens back to some other step sequencer designs of the 80s but updates them in a way that goes beyond belief.

The step sequencer allows for eight different sequences. These sequences can have up to 64 steps each and are stored in internal memory so that when you power down, they are retained.

You input the notes that you want one at a time and can insert rests using the TAP TEMPO button to create rhythmic patterns. Once you have your sequences, you can choose between many different ways to trigger and play your sequences.

NOTE On or continuous play modes allow you to choose whether the sequence will only play when a key is pressed or to start immediately when the control switch is moved to PLAY.

When you change sequences while playing there are options to choose an immediate change to the new sequence or to have it play the current one to the end before changing.

There are even more controls that are accessible via the free editor software that allow you to tailor the sequencer to your particular likes.

So now you have your eight sequences but you want to make more AND you don’t want to lose your current ones ? Simple. Using the editor software you can import and export your sequences to your computer for archiving.